Hito Steyerl: the Serpentine's Sackler. - The Guardian.
In Hito Steyerl's writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl's landmark essays from recent years in which she has steadily developed her very own.
MOCA presents the U.S. premiere of Hito Steyerl’s landmark video installation Factory of the Sun. In this immersive work, which debuted at the 2015 German Pavilion at the Venice Biennale, Steyerl probes the pleasures and perils of image circulation in a moment defined by the unprecedented global flow of data.
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Hito Steyerl. Regarded as one of the most relevant contemporary artists in the field of Video art, Hito Steyerl (Munich, 1966) approaches current themes in her work, for instance the impact the proliferation of images and the use of the Internet and technology have on our lives.
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Through her writing practice, films, and performative lectures, Hito Steyerl considers the status of the image in an increasingly global and technological world. Steyerl’s work, which has been presented at the Venice Biennale, is part of a lineage that includes Harun Farocki and Chris Marker.
A series of essays and close readings of Steyerl's films from the past ten years. Hito Steyerl is rightly considered one of the most exciting artists working today who speculates on the impact of the Internet and digitization on the fabric of our everyday lives.