Hermes Carrying the Infant Dionysos Essay - 1444 Words.
They are The Lansdown Athlete, the Roman copy of the Lysippos, and Roman copy after a Greek original by Praxiteles, Hermes and the Infant Dionysos. From my opinion is that the sculptures are in nude because they tell us that the sculptures are goddesses or a recreation of a person that is not real.
Hermes was the ancient Greek god of herds and flocks, travellers and hospitality, roads and trade, thievery and cunning, heralds and diplomacy, language and writing, athletic contests and gymnasiums. He was also the herald Zeus, king of the gods. Hermes was depicted as either a handsome and athletic, beardless youth, or as an older bearded man.
If Greek art of the High Classical Period is characterized by the refined idealism of the Doryphoros, the subsequent Late Classical Period, illustrated through sculptures such as Praxiteles’s Hermes and the Infant Dionysos, captures the period’s burgeoning interest in a more human approach to artistic depictions. This shift came in part due to the changing political atmosphere in Greece.
In conclusion, it is necessary to say that the art of the Ancient Olympics is so unique and impressive that it attracts attention of the public from all over the world. The statue of Hermes and the Infant Dionysus is a classic example of the Greek sculpture. The statue has all characteristics of the Praxitelean style.
He was portrayed by the greatest sculptors, such as Phidias, Polyclitus, Scopas, and Praxiteles, whose Hermes with the infant Dionysus was discovered in 1877, in the temple of Hera, at Olympia. (See PRAXITELES, and SCULPTURE, fig. 10.) In the older works of art he appears as a bearded and strong man; in the later ones he is to be seen in a.
Praxiteles blends humanity with divinity perfectly, portraying her divinity without being distanced by grandeur. The same theme can be seen in his sculpture of Hermes with the infant Dionysus, the most famous example of an adult and infant group. The piece portrays Dionysus as a baby being carried by Hermes to the muses by whom he will be raised.
The final major figure in art of the Late Classical Period was Praxiteles, his signature work being the Hermes and the Infant Dionysus of c. 330 b.c.e. It presents Hermes, the messenger of the gods, taking the infant Dionysus, god of wine, to the Nymphs, who reared him.